{"id":1006,"date":"2018-02-27T17:24:40","date_gmt":"2018-02-27T17:24:40","guid":{"rendered":"https:\/\/www.pagodared.com\/blog\/?p=1006"},"modified":"2021-06-29T17:36:12","modified_gmt":"2021-06-29T17:36:12","slug":"chicago-botanic-garden-asia-bloom","status":"publish","type":"post","link":"https:\/\/www.pagodared.com\/blog\/2018\/02\/27\/chicago-botanic-garden-asia-bloom\/","title":{"rendered":"Chicago Botanic Garden: Asia In Bloom"},"content":{"rendered":"

We’re continually inspired by the Chicago Botanic Garden’s mission to ‘cultivate the power of plants to sustain and enrich life.’ Today we’re looking back on\u00a0<\/b>Asia in Bloom<\/strong><\/em>, <\/em>a special exhibition from 2018. Here, we had the honor to show a collection of taihu spirit stones, vessels, and sculpture.<\/b><\/p>\n

“You can’t tell the story of orchids in Asia with items from the 21st century. With PAGODA RED’s generosity, we used Asian antiques to bring stories from the 1700s and 1900s to life.”\u2014 Gabriel Hutchison, Exhibitions and Programs Production Manager, Chicago Botanic Garden<\/em><\/p><\/blockquote>\n

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Taihu Spirit Stones<\/a><\/p><\/div>\n

Every year, the Chicago Botanic Garden fills its greenhouses with tropical orchids. It\u2019s a welcome burst of color and warmth in the middle of winter, and a reminder that spring is on its way.\u00a0Asia in Bloom<\/em><\/a>, pairs exotic orchids with Chinese, Japanese and Southeast Asian objects on loan from PAGODA RED. We spoke with Gabriel Hutchison, Exhibitions and Programs Production Manager at the Chicago Botanic Garden, about how he translated Asian inspiration into modern installations.<\/p>\n

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Left: Hand Carved Buddha<\/a>\u00a0| Right: Apothecary Jars<\/a> and Floral Cast Iron Mortar<\/a><\/p><\/div>\n

Many months before the show opens, a team begins the research process. \u201cI work with a designer, writer, and horticulturalist, and the four of us begin by researching pictures and stories,\u201d Hutchison says. An image of a Japanese fence with horizontal bamboo slats inspired an installation that recalls classical Japanese teahouses, while writings on the medicinal uses of orchids led to a display of Chinese mortars, pestles and apothecary jars. A centuries-old practice, Chinese medicine still uses dried and ground orchid bulbs to make homeopathic teas and capsules.<\/p>\n

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Marble Lotus Basin<\/a><\/p><\/div>\n

Additionally, Hutchison incorporated kimonos and obis embroidered with orchids in the exhibition.<\/p>\n

\u201cIronically, the orchid that pops up most frequently on kimonos are Cattleyas, which are native to Central America, not Asia. It was an a-ha moment for me to see that traditional Japanese garments were rendered with non-Asian orchids. It speaks to the fact that orchids have been heavily traded for a long time,\u201d says Hutchison.<\/p><\/blockquote>\n

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Celestial Cloud Architectural Object, circa 1750<\/a><\/p><\/div>\n

Every culture has orchids that go in and out of style. In our current Western moment, the orchid that\u2019s reached peak ubiquity is the Phalaenopsis, or moth orchid. When selecting orchids for your home, Hutchison urges people to look beyond the obvious.<\/p>\n

\u201cThere are so many varieties. Oncidiums\u2014or dancing ladies\u2014come in a wide range of shapes and colors: greens, yellows, browns, and reds. You don\u2019t have to display them in a traditional orchid vase, you can use driftwood or find an unconventional way to display them on vintage pieces. I love orchids in cut flower arrangements with bromeliads. They can be calm or vibrant.\u201d<\/p><\/blockquote>\n

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A collection of Monumental Floral Relief Vessels<\/a><\/p><\/div>\n

When choosing the containers for the orchid show, Hutchison gravitated towards pieces rich in history and narrative. A hand-carved limestone Japanese Buddha (c. 1900) receives daily orchid offerings from the garden staff, just as it would have in a temple or home garden. Chinese Taihu Stones and a limestone planter, hand-carved with celestial clouds, rise up from a blanket of greenery, just as they might once have risen from the grounds of a Qing Dynasty temple garden.<\/p>\n

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Gabriel Hutchison, Exhibitions and Programs Production Manager at the Chicago Botanic Garden<\/p><\/div>\n

\u201cObjects have to be authentic,\u201d explains Hutchison. \u201cWhen the public comes to see these objects, there\u2019s a standard that needs to be acknowledged. PAGODA RED is known for objects with that level of provenance. Working with stylists and curators, \u201cPAGODA RED quality\u201d is shorthand for that kind of authenticity.\u201d<\/p><\/blockquote>\n

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Asia In Bloom<\/em> at the Chicago Botanic Garden on display February 10 to March 25, 2018<\/p><\/div>\n

To learn more about the Chicago Botanic Garden and see what’s currently on exhibit, visit chicagobotanic.org<\/a><\/p>\n

Images by Allison Knotts.<\/em><\/p>\n

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