{"id":150,"date":"2017-03-22T12:00:00","date_gmt":"2017-03-22T12:00:00","guid":{"rendered":"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/"},"modified":"2018-02-21T20:22:28","modified_gmt":"2018-02-21T20:22:28","slug":"esther-shimazu-free-spirits","status":"publish","type":"post","link":"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/","title":{"rendered":"Esther Shimazu: Free Spirits"},"content":{"rendered":"
\n

No one was portraying the people I knew, growing up in a majority Asian-American population: free to be as undignified or not as they wanted. The niche for making pottery nudes of a cranky Asian persuasion was open, so I took it.\u00a0\u2014 Esther Shimazu<\/p><\/blockquote>\n

\n

\"esthershimazu3\"<\/a><\/p>\n

\u201cAfter All That\u201d by Esther Shimazu<\/p>\n<\/div>\n

PAGODA RED is excited to welcome Esther Shimazu<\/a> to the gallery. Born and raised in Hawaii, Shimazu grew up surrounded by the Japanese-Americans and Hawaiians\u00a0who would later become her subjects. In a\u00a0note to students<\/a> at the Honolulu Museum of Art School, Shimazu recalls, \u201cI started off drawing on every surface available, but once I got my hands on clay at around age five, that was it.\u201d<\/p>\n

\n

\"eswhatthe\"<\/a><\/p>\n

\u201cWhat The\u201d by Esther Shimazu<\/p>\n<\/div>\n

Shimazu\u2019s ceramic sculptures are so joyful and playful,\u00a0their exuberance almost eschews the methodical craft that goes into making them. She constructs each\u00a0clay figure entirely by hand. After covering the figures with slips and oxides, then firing each one, she hand-sands them and hand-paints or airbrushes pigments to create a sense of volume and lifelike color.<\/p>\n

\n

\"esnowsmile\"<\/p>\n

One of Shimazu\u2019s Works in Progress<\/p>\n<\/div>\n

I build my pieces using the usual hand-building techniques of pinch, coil and slab rather like teapots: in parts that are then fitted together. They are completely hollow except for teeth, ears and digits, and are ruthlessly cut apart, carved, scraped and\/or smacked around to get an acceptable result before moving on to drying and firing.\u00a0\u2014 Esther Shimazu<\/p><\/blockquote>\n

\n

\"esteeth2\"<\/p>\n

One of Shimazu\u2019s Works in Progress<\/p>\n<\/div>\n

Along the way, I try to jam in as much individual personality as possible. Surfaces are kept smooth throughout and are hand sanded after both the bisque and high fire. Most color is added at the greenware stage, using commercial underglazes and porcelain slip, brushes and airbrush.\u00a0\u2014 Esther Shimazu<\/p><\/blockquote>\n

\n

\"esteeth\"<\/p>\n

One of Shimazu\u2019s Works in Progress<\/p>\n<\/div>\n

Her unique\u00a0combination of carefree subject and careful process has made Shimazu one of Hawaii\u2019s best-known artists. Her work has been exhibited at museums and galleries in the United States, Taiwan and Switzerland, and several monographs and catalogs of her work have been published. Students\u00a0seek her out to learn her hand-building and brush techniques, and she teaches workshops with universities and ceramics institutes throughout the United States.<\/p>\n

\"esthershimazuportrait\"
\nTo see Esther Shimazu\u2019s sculptures in person, visit the PAGODA RED gallery<\/a>.<\/em><\/p>\n

Esther Shimazu<\/h2>\n

b. 1957, Honolulu, Hawaii<\/p>\n

EDUCATION<\/strong>
\nBachelor of Fine Arts, Master of Fine Arts, University of Massachusetts Amherst<\/p>\n

PUBLICATIONS<\/strong><\/p>\n

    \n
  • 2016: Esther Shimazu<\/i>, John Natsoulas Press<\/li>\n
  • 2013: 500 Ceramic Figures<\/i>, Lark Books<\/li>\n
  • 2009: 500 Ceramic Sculptures<\/i>, Lark Books<\/li>\n
  • 2008: Esther Shimazu<\/i>, John Natsoulas Press<\/li>\n
  • 1997: American Craft Magazine<\/i>, October<\/li>\n
  • 1997: Fall Ceramic Art and Perception Magazine<\/i>, Australia<\/li>\n
  • 1996: Artists\/Hawaii<\/i>, University of Hawaii Press<\/li>\n
  • 1993: Biennial<\/i>, The Contemporary Museum of Honolulu<\/li>\n<\/ul>\n

    SELECT EXHIBITIONS
    \n<\/strong>
    \n2016<\/strong><\/p>\n

      \n
    • EXPOSED: Heads, Busts & Nudes<\/em>, Ferrin Contemporary, Cummington, MA<\/li>\n
    • 30 Ceramic Sculptors<\/em>: John Natsoulas Gallery, Davis, CA<\/li>\n<\/ul>\n

      2014<\/strong><\/p>\n

        \n
      • Nurtured in Nature<\/i>, LH Project International Residency Program, Portland, Oregon<\/li>\n
      • Kunstforum Solothurn, Solothurn, Switzerland<\/li>\n<\/ul>\n

        2013<\/strong><\/p>\n

          \n
        • Robyn Buntin Gallery, Honolulu, HI<\/li>\n
        • Galerie Atelier Maya Guidi, Carouge, Switzerland<\/li>\n<\/ul>\n

          2011<\/strong><\/p>\n

            \n
          • Hiroki Morinoue, Wayne Morioka, Esther Shimazu<\/i>, Bethel Street Gallery, Honolulu, HI<\/li>\n<\/ul>\n

            2010<\/strong><\/p>\n

              \n
            • Portraiture Beyond Likeness<\/i>, Wayne Art Center Philadelphia, PA<\/li>\n<\/ul>\n

              2009<\/strong><\/p>\n

                \n
              • 10th Annual Shoebox Sculpture Exhibition<\/i>, University of Hawaii\/Manoa, Honolulu, HI<\/li>\n<\/ul>\n

                2008<\/strong><\/p>\n

                  \n
                • Menschenbild<\/i>, Kunstforum Solothurn, Solothurn, Switzerland<\/li>\n
                • Broadsides<\/i>, Honolulu Academy of Arts Linekona Art Center, Honolulu, HI<\/li>\n<\/ul>\n

                  2007<\/strong><\/p>\n

                    \n
                  • Esther Shimazu<\/i>, John Natsoulas Gallery, Davis, CA<\/li>\n<\/ul>\n

                    2006<\/strong><\/p>\n

                      \n
                    • Doug Young and Esther Shimazu<\/i>, The Gallery at Ward Center, Honolulu, HI<\/li>\n<\/ul>\n

                      2005<\/strong><\/p>\n

                        \n
                      • NCECA Diverse Domain: North American Contemporary Ceramics<\/i>, Taipei County Yingge Ceramics Museum, Taipei, Taiwan<\/li>\n<\/ul>\n

                        2004<\/strong><\/p>\n

                          \n
                        • 8th International Shoebox Exhibition<\/i>, University of Hawaii\/Manoa, Honolulu, HI<\/li>\n
                        • Three Hawaii Sculptors<\/i>, John Natsoulas Gallery, Davis, CA<\/li>\n<\/ul>\n

                          2003<\/strong><\/p>\n

                            \n
                          • Contemporary Ceramic Sculpture<\/i>, San Diego City College, San Diego, CA<\/li>\n
                          • International Asia-Pacific Contemporary Ceramics Invitational Exhibition<\/i>, Taipei County Yingge Ceramics Museum, Taipei, Taiwan<\/li>\n<\/ul>\n

                            1999<\/strong><\/p>\n

                              \n
                            • Esther Shimazu<\/i>, Tulsa Artists\u2019 Coalition, Tulsa, OK<\/li>\n<\/ul>\n

                              1998<\/strong><\/p>\n

                                \n
                              • Re: FORM<\/i>, The Fuller Art Museum, Brockton, MA<\/li>\n
                              • The Nude in Clay II<\/i>, Perimeter Gallery, Chicago, IL<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

                                No one was portraying the people I knew, growing up in a majority Asian-American population: free to be as undignified or not as they wanted. The niche for making pottery nudes of a cranky Asian persuasion was open, so I took it.\u00a0\u2014 Esther Shimazu \u201cAfter All That\u201d by Esther Shimazu PAGODA RED is excited to […]<\/p>\n","protected":false},"author":2,"featured_media":887,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false},"categories":[3],"tags":[],"yoast_head":"\nEsther Shimazu: Free Spirits - PAGODA RED Stories<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Esther Shimazu: Free Spirits - PAGODA RED Stories\" \/>\n<meta property=\"og:description\" content=\"No one was portraying the people I knew, growing up in a majority Asian-American population: free to be as undignified or not as they wanted. The niche for making pottery nudes of a cranky Asian persuasion was open, so I took it.\u00a0\u2014 Esther Shimazu \u201cAfter All That\u201d by Esther Shimazu PAGODA RED is excited to […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/\" \/>\n<meta property=\"og:site_name\" content=\"PAGODA RED Stories\" \/>\n<meta property=\"article:published_time\" content=\"2017-03-22T12:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-21T20:22:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pagodared.com\/blog\/wp-content\/uploads\/2018\/02\/float_away_esther_shimazu_CESZ081-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"2400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Allison Knotts\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Allison Knotts\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/\",\"url\":\"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/\",\"name\":\"Esther Shimazu: Free Spirits - PAGODA RED Stories\",\"isPartOf\":{\"@id\":\"https:\/\/www.pagodared.com\/blog\/#website\"},\"datePublished\":\"2017-03-22T12:00:00+00:00\",\"dateModified\":\"2018-02-21T20:22:28+00:00\",\"author\":{\"@id\":\"https:\/\/www.pagodared.com\/blog\/#\/schema\/person\/1eaad237241d474b5d129a80a29c60fc\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.pagodared.com\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Esther Shimazu: Free Spirits\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.pagodared.com\/blog\/#website\",\"url\":\"https:\/\/www.pagodared.com\/blog\/\",\"name\":\"PAGODA RED Stories\",\"description\":\"Stories from PAGODA RED\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.pagodared.com\/blog\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.pagodared.com\/blog\/#\/schema\/person\/1eaad237241d474b5d129a80a29c60fc\",\"name\":\"Allison Knotts\",\"url\":\"https:\/\/www.pagodared.com\/blog\/author\/aknotts\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Esther Shimazu: Free Spirits - PAGODA RED Stories","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.pagodared.com\/blog\/2017\/03\/22\/esther-shimazu-free-spirits\/","og_locale":"en_US","og_type":"article","og_title":"Esther Shimazu: Free Spirits - PAGODA RED Stories","og_description":"No one was portraying the people I knew, growing up in a majority Asian-American population: free to be as undignified or not as they wanted. 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